The following has to be read,
keeping in mind the chronic economic crisis which has assumed the character of
a contagion, haunting Europe. These days the focus is on Cyprus. Even US and
China will not be immune to this economic plague. And soon India will also
follow suit with misery to ‘innocent’ millions. Anyway the world is in the grip
of a general economic slowdown. The problems facing all nations are similar,
and now familiar to all of us. In layman’s terms there is sluggishness in
demand for the manufactured products coupled with an increase in prices of all
essential commodities. Most Governments are not able to solve this problem
permanently and they do not know how to handle this, other than make certain
knee-jerk reactions. Against this
background, let us consider two icons of India’s culture.
LAND OF SNAKE-CHARMERS &
MYSTICISM.
During the Victorian times
India had been portrayed as a land of ‘snake-charmers’ & ‘fakirs’. Sir
Winston Churchill had called The Father of our Nation as a ‘half-naked fakir.” This is the impression carried by most
Europeans about India & Indians. Even prominent Indians were not spared if we consider the epithet
used by Churchill. Later for
advertising our international air-carrier, the icon of the
‘Maharaja’, was widely used. These were
the icons that mostly represented India
abroad, conveying the idea that India is the land of mysticism- carrying
the burden of useless, impractical and
out-of-the world ideas.
What non-Indians thought
about India , had an impact on Indians regarding their self-image of themselves
and their nation. Almost all modern Indians internalized , what non-Indians , especially Europeans, ie. our colonial masters thought about India.
REAL ICONS
REPRESENTING INDIAN CIVILIZ ATION
The two images, ubiquitous and familiar to Indians across many generations
are that of (1) gods & goddesses with many arms AND (2) Yogi. The former
appeared grotesque in the eyes of
Europeans and others belonging to the
monotheistic faiths. The most familiar
yogic picture that one encounters is that of the Buddha. The eyes of most yogic
icons are closed or half-open(half-closed). And the yogic posture conveys
stillness. (ie nischalatha)
NATARAJA ,THE REFINED ICON AMONGST GOD WITH MANY ARMS !!!!!
The most pleasing icon or
image depicting that of a god or goddess with many arms is that of the Nataraja,
ie The dancing Shiva. Anand Coomaraswamy
, the late curator of Indian art at the Boston Museum of Fine arts , had
expressed the essence of this icon as :- “Nataraja image, symbolizes the primal rhythmic energy underlying all
phenomenal appearances and activity; here is perpetual movement, perpetually poised – the
rhythm of the spirit . (p.69, The dance of Shiva).
BOTH ICONS ARE ABOUT ‘BEING’ &
MOVEMENT/ACTION/KARMA
Thus we have here two images, associated with
movement (action), which conveys a multitude of ideas and meanings - about
creation of the universe including the life-forms in the same, about the
condition of life, about how life has to be lived to transcend the repeated
,endless, tortuous cycles of birth and death.
One image, ie of the dancing
God symbolizes extreme movement –action- karma which bring forth the
world with all its life ie. All names and forms into being. The gods and
goddesses with multi-arms depicts this
extreme creative karma. And the yogic picture of stillness (nischalatha-physically
still, mentally still but mentally alert)
teaches or shows the way , how humans who are
caught in this whirl-pool of creative activity and forced to undergo
movement (karma), can
transcend this movement or action and
obtain permanent peace and happiness. Because movement starts a process , resulting in the feeling of ‘I’, the embodied feeling,
associated with the feeling of separateness , ie this (action, movement) is the
cause of birth and death, the endless’ tortuous life (death) cycles one has to
undergo. The movement in the cause is
present also in the effect. Effect here means , human-beings and all other
forms. Indian civilization is the
product of this tension -tension between
the Cosmic creative process and the
means of transcending the same. Cosmic creative process involves necessarily
action/movement, which being the
products of creation we (all names and forms) have naturally inherited. Movement or action results in fruits of action , (ie
further action/movement and its by-products) which is binding in the sense that
it may give us temporary pleasure but displeasure and discomfort at some future
point of time.
All cannot become Yogis which
is the ideal state to be attained by each human being. “For none ever remains
inactive even for a moment; for all are
compelled to action by the gunas inherent in Prakriti”. (Gita
3.5). Eventhough ‘stillness with
omniscience’ is the ultimate state one has to strive for in the em-bodied form,
this is not possible for many due to a variety of reasons. Further it is said, “ Do
thou thy allotted task: for action is superior to inaction; with inaction even
life’s normal course is not possible.” (Gita 3.8) .Since one is made to move
(because movement is there in the intermediate cause, and what is present in
the cause will be present in the effect) involuntarily, (as per Gita 3.5) ,it
is BEST such motion/karma is channelized to meet the basic requirements of
maintaining -the body and that of a
harmonious society of which one
is a member. This is the implication of Gita 3.8. Therefore our civilization sought that
optimal movement , applicable to each
individual based on his inherited
qualities(gunas). Optimal movement is that movement
between extreme action/movement and perfect stillness. This perfect
stillness is impossible for almost all, because the cause of our coming into
being itself is movement. (repeat :-the qualities of the cause will be present
in the effect). The optimal movement was
sought because, ‘prakriti’ always forces us to do ‘karma’(movement,
action) .
WIN-WIN SOLUTION FOR ALL
STAKE-HOLDERS
Thus the wise ancients were
confronted by the following facts (1) They knew the solution for permanent and lasting happiness. This
meant transcending the creative process of movement. In a way beating the
system. One must never be born, generating the feeling of separateness ie. ‘I’
(Aham) (2) The creative
movement forces all created
beings into movement. Majority cannot
resist this forced movement . And
movement/action has the tendency to bind. (3) How to channelize this movement,
enabling individual’s well-being and also that of society. This channelized
movement should be such that, it will not be binding and pave the way for
future release. (moksha). Deliberating over these ‘truths of being’ our ancients
have offered the ideal solution of ‘varnashrama-dharma’.
The ‘varnashrama’ is thus a very ‘scientific’ approach to organizing society
and fulfilling its needs based on optimal action (movement) of its members.
A PROVEN PANACEA OFFERED TO
THE WORLD
One need not subscribe to the
transcendent theory of karma & rebirth, violating one’s religious
belief. But none can ignore the ancient
and unbroken continuity of the Indian civilization based on this philosophy of life. This philosophy
signifies sustainability of life and living. This is the panacea that India can
offer to the strife ridden post-modern world.
‘HYPER-ACTIVITY’ - MACHINES
AN INTEGRAL PART OF THE SAME
The crisis in Europe/US is due to hyper-activity
of its members. As per the Indian world-view, we may consider almost all
Europeans and US Citizens to be
hyper-active. Hyperactivity is considered by moderns as a mental and
neuro-behavioral disorder occurring mostly in children. But as per
Indian norms, the adults in continental Europe and N.America are victims of this mental and physical
disorder. The Industrial revolution is a consequence of this. For they
(machines) have multiplied and made, the
movements (actions) vigorous and
endless. Irrespective of day or night or seasons, man-made machinery keeps on
moving/working (karma), and ultimately it is humans moving/acting to the
rhythm of the self-perpetuating machinery. Result, machinery controls human
movement. This results in binding and more binding without any hope of release
and freedom.
UTILIZATION OF ‘MOTION’ STUDY – BY ‘US’ AND ‘THEM’
Both Indians and Europeans had studied
‘movement/motion’. One culture studied movement of ‘Grahas’ (planets) to
determine how they affect each individual life. This is the science of Jyotisha.
The prognosis this science enabled,
advised individuals to restrain their movement and be self-conscious about the
same. The other culture (Western)
intensified the study of the movements of mundane objects and formulated the
‘Laws of Motion’. The knowledge from their study they utilized to make
machines, capable of infinite and vigorous movement , controlled as well as
un-controlled. These machines, as everyone knows have become insatiable of energy
and other resources. It has distorted social values and ethics, eg.
concentration of resources or wealth and power in the hands of a few. In
addition it is endangering the very existence of human beings on this earth due
to pollution and fast depletion of
natural resources essential for human living.
ICON WARNING VIGOROUS MOVEMENT IN HUMAN REALM
-RAVANA
The image of the ten-headed
Ravana, having twenty arms, symbolizes
this Western Culture afflicted with hyperactivity. Ravana is not God, but only
a king. The twenty arms denoted his hyperactivity, which sealed his fate. Similarly
the hyperactivity of US and Europe have
landed them in trouble. Already two deadly World Wars had been fought. Numerous other examples may
be quoted –the cold-war, wars in Iraq, Afghanistan etc. Their hyper-activity
resulted in more and more industrialization, possible by more and more
sophisticated machinery. To sustain this production or to keep pace with the
‘movement of the machinery’ they perpetually need more markets and
resources. Not having learnt the
lesson, they propose to cure themselves , by resorting
to even more activity. More industry and more production and consumption are
the medicines prescribed. And the
effectiveness of the medicine is measured
by a term called GDP. GDP
thus a marker of movement.
RITUALS AN ARTIFICE FOR CHANNELING MOVEMENT
“For none ever remain
inactive even for a moment; for all are compelled to action by the gunas
inherent in prakriti.” -Srimad Bhagavad
Gita Chapter 3 verse 5. Understanding the above ‘scientific’ fact, it was the duty of rishis, administrators and kings to
channel the action of the people. Rishis like Manu, gave the blueprint for organizing society on the basis of varna
and prescribing rituals. The basis of varna is karma based on the
gunas. The so-called meaningless
rituals are ‘artifices’ to regulate karma(movement). Kings and
administrators channeled the actions of
the public by resorting to yagas (yajnas) , building temples, temple
tanks, canals etc. All learned men tried for the optimal movement of each
individual in society with minimum rise in entropy, affecting
society. In modern times, Gandhiji
exhorted his country-men to resort to spinning on the hand-driven ‘charkha’. Gandhiji
was NOT a mad-man, but a visionary.
BE HUMAN.
The ancient vis-à-vis modern
approach to agriculture, education, travel, health etc and many other actions
affecting life, highlights this contrast between stillness (less movement) and
vigorous movement. A measure of successful movement is more and more speed. ‘More’
in ‘less’ time. (Thus movement applies both to ‘quantity’ as well as ‘quality’) Speed may thrill, but it ultimately kills.
Another effect of movement (mental as well as physical) is it makes life short with abrupt end or
prolong it with pain. Even in the divine
realm, movement is accompanied by –birth, sustenance & destruction. But here
the sustenance period is substantial compared to the life of humans, extending
over numerous generations. Wishing all, a ‘state’ of permanent happiness, our seers
warned us not to get caught in the wheels of birth-death, representing movement.
Modern mundane knowledge seeks to study and amplify
movements, which threatens human life on this planet. Creative movement and
manipulation of movement is the privilege of the divine realm. Let us humans
not imitate it, if the purpose of all that we do is for the well-being of
mankind.
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